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This is a brutal test for any screen, and even the ST100 will show a miniscule amount of texture on it if you know what to look for. The first video I wanted to view on the ST130 was one I use to quickly reveal any artifacts related to a gain screen's texture: The Art of Flight, a snowboarding documentary with lots of nearly pure white images with near-constant side to side and up and down camera moves.
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Next, I proceeded to calibrate the projector to take into account the new peak white point and any color shift that may have resulted from the change in material. I use a single-pixel on/off test pattern from the Spears and Munsil UHD Benchmark disc to set focus, and each of the pixels in the pattern were razor-sharp with no signs of compromise. The first good sign for the ST130 G4 material was when I checked my projector's focus after re-mounting the screen- it hadn't changed at all. This may also apply to solid-surface screens that use coatings to enhance gain or facilitate ambient light rejection since the coating itself has a texture that not just reduces resolution but can add its own "structure" to images.
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#Cinescope black diamond 1080p
Such compromises are common with acoustically transparent "weaved" or "perforated" screens that are designed for speakers to be placed behind them-go close up to the screen and in most cases you'll have a difficult time seeing the pixel structure in 4K and even 1080p images. In addition to absorbing overhead ceiling light, the StarBright 9’s black diffusion layer provides high-contrast performance to enhance color saturation, contrast and black level dynamic range.If the texture is larger than the pixels in the image, you will see a reduction in fine detail. The StarBright 9™ material attaches to the frame using a spring and grommet construction that ensures perfect uniform flatness. This composite material eliminates the washout effect which destroys matte white imagery under bright room lighting conditions. The StarBright 9™ screen is a composite, multi-layer material designed to reject ambient light away from the viewer’s field of vision. The projection surface is bordered by a 2.3” (59.4 mm) thick aluminum frame that is coated in hand-wrapped velvet. When shown under optimal cinematic lighting conditions, the material lives up to its ISF certification by the world-renowned Imaging Science Foundation. Instead of the image washout common with typical matte-white projection screens, the Sable Frame StarBright 9™ blocks illumination from overhead or off-axis light sources for a bold, bright, crystal-clear image even in the most challenging spaces. The Sable Frame StarBright 9™ provides reference grade video performance in either a dark room or rooms with high levels of interior lighting. Content that was nearly unwatchable during the day was suddenly bursting with colors.” – Brian Mitchell,
#Cinescope black diamond series
“It was clear within seconds, the Aeon CLR series offered tremendous improvements in daylight viewing. An LED back-lighting Kit is included for added aesthetics. The screen uses a Ceiling Light Rejection® technology.
#Cinescope black diamond free
Aeon CLR ® with StarBright CLR®offers a wide viewing angle, neutral color temperature, and enhanced picture contrast in a theater-grade image.ĮDGE FREE CLR ® means there is an internal framework with wraparound material bordered with an ultra-thin bezel. StarBright CLR® is specifically designed for ultra-short-throw projectors to provide a large-screen performance in the close quarters of most residential or even training environments.
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This also enables the material to provide contrast levels that are 100 times greater than that of standard matte white projection screens. Its serriform optical surface lens microstructure negates the washout effect of ambient light especially from overhead sources. The Aeon CLR® is an EDGE FREE CLR ® fixed frame screen that uses Elite Screens innovative StarBright CLR® (Ceiling Light Rejecting®) material.